故事分成三個章節：主(zhǔ )要的章節(jiē )由高(🃏)達親自飾演導(🔱)演(🕰)，正要趕乘(chéng )飛機，在24小時內(🔬)把一部電(🥩)影的菲(🎾)林(lín )交給監(jiān )製(zhì )；同時一隊二人(rén )流(🚤)行(🖲)電子(zǐ )音樂組合，不斷排練歌(🕯)曲(👁)，最後在路上表演；另一邊廂，愚(🎫)笨(bèn )(🥞)的大肥(🍮)佬(lǎo )捲(juǎn )入(😻)一宗(zōng )事(shì )件，被神秘女人密切監視，最後更被拘捕。三段(duàn )故(gù )事看似(sì )(🔢)毫(háo )無(💱)關連(🌑)，實際是高(gāo )(🥔)達以電影(📙)來(lái )討論電影製作和藝術(shù )創作的重要。片名看(kàn )似(sì )帶有弦外(🧤)之音(🚻)，就像高達(dá )暗(àn )示，假如監製或其他人要干擾(🕯)導演的藝術創作(zuò )，就索性(xìng )(🥊)我行我(🛎)素，忠於(🦇)自己的(➡)道路(🐛)好了。這大(🥋)概亦示範了高達如何(🐩)純熟(shú )地運(yùn )(🏒)用(🙎)電(💿)影媒(méi )體(tǐ )來做評論。 A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.